I did it the wrong way, but somehow I’m still doing it ;)
My suggestion is to do it twofold: work as a 1st for small indie projects. Work as a set PA or office PA for bigger shows/union shows.
You can utilize the skills you learn as a PA on bigger shows for when you’re 1sting those smaller shows. And the lessons you learn from your PAs on those smallers shows will help you be the awesome PA that gets noticed on the bigger shows.
In terms of other tips, there’s not really much else I can say. Apply to every film job that seems to apply AD skillsets. Volunteer to work for other departments on smaller sets so you can get a sense of what’s needed for each department. Go to networking events and never turn down drinks from producers and directors. You never know! And get on the crew’s side. It helps a lot.
Good luck!
Anonymous Notes
OMG IT'S A FILM PRODUCTION BLOG
Assistant Directors don't always yell. Sometimes we write about stuff. Because I'm a workaholic, I sometimes feel the need to document the things I see and the questions that are raised while going through the most insane process of making a director's dreams come true. About me: My name is Michelle. I am a (currently) non-union First Assistant Director working out of Austin, TX. I hope to one day join the DGA and direct my own scripts on the side, but until that time comes... Got questions? Comments? Complaints? A project you want me to AD? (I'm cheap!) Email me at - goingforpicture@gmail.com You can also find me on the good ol' twitter - twitter.com/m0thra
Ask me anything
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